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Sunday, 6 January 2019

Reviews: Nailed To Obscurity, Swallow The Sun, Wille & The Bandits, Steel Engraved (By Matt, Paul H & Rich)

Nailed To Obscurity: Black Frost (Nuclear Blast) [Matt]

I'll level with you I hadn't heard of German death/doom merchants Nailed To Obscurity until I saw them play at Bloodstock last year, they did impress with their thundering heavy doom cut with death metal vocals. So I couldn't turn up the chance to review their latest album when it hit MoM Towers, mainly to see if they could replicate what they do live on record. The band hail from the Esens in Lower Saxony the town has a population of 7,000 and they are looking to leave their mark on the metal world with this fourth album (their first for Nuclear Blast). The war drums of the title track set things of with a building intro that brings in bass for repetition while a guitar slide brings the morose vocals it's in this one track you can hear what Nailed To Obscurity are about as a band.

With shades of Katatonia and Opeth (frontman Raimund Ennenga is so much like Akerfeldt it hurts) they are a melodic, doomy death metal band who have added a different touch to this record than on their previous one which took off at a much more savage pace all dual leads and blast beats, here the riffs swirl with melancholy, the songs brood and build into much more mature pieces. According to guitarist Jan-Ole Lamberti (one half the founding six stringers with Volker Dieken) say that "Our main goal was to do something different. I think Black Frost sounds like Nailed To Obscurity there are a lot of similarities but it’s different." If the more moody, ambient, dramatic style of metal is your bag then I'd suggest grabbing a copy of Black Frost from your local retailer, it's the perfect album to get you through the January blues. 8/10

Swallow The Sun: When A Shadow Is Forced Into The Light (Century Media) [Paul H]

2015’s triple album Songs From the North was well worth the effort in the end but you had to work for the rewards, particularly after the much lauded Emerald Forest And The Blackbird. The eighth long player from the Finns is now with us and When A Shadow Is Forced Into The Light is likely to be one of the albums of year. Crammed with their trademark melancholic doom but lit by some beautiful melody, this album continues the band’s evolution. The opening chords of the title track immediately confirm that Swallow The Sun have traversed deep into their painstakingly explored sound of the past fifteen years.

The Crimson Crown and Firelights maintain the journey. It is fuelled by personal loss, with its origins deeply entwined with Trees Of Eternity's Broken Mirror (with the much missed late Aleah Stanbridge). Mikklo Kotamaki’s perfect dark vocals are enhanced by harmonies and melodies which flow and pour through the album. Percussion and tender guitar support Clouds On Your Side before the song ignites into a fireball; Delicate strings augment closing track Never Left. At times crushingly heavy, at times ethereal and fragile, When A Shadow Is Forced Into The Light has been meticulously and lovingly created. It is already deserving of a place in 2019’s higher placings. 9/10

Wille & The Bandits: Paths (Fat Toad Records) [Matt]

One play of Wille & The Bandits' fifth studio album Paths and you would be forgiven for thinking this is a band from the American West Coast, the use of 60's and 70's sounds with blues, hard rock, Americana, electronic music, funk soul etc all comes from that region and Wille & The Bandits bring all of these sounds into this album. However they are not American, nope in fact this rootsy trio hail from Cornwall but they have been plying their trade for good while now to much acclaim from critics, they were voted ones to watch at Glastonbury by The Guardian, and musicians alike the slide playing of Wille Edwards has been hailed by Joe Bonamassa. Joey Bones is also one of the high profile artists they have shared the stage with, others being Deep Purple, Status Quo, Warren Haynes and Jon Butler Trio (who the band take a lot of their sound from).

Wille describes Paths like so "I feel that we have finally managed to capture the various soundscapes and unusual instrumentation of our sound on an album without losing the raw live energy". One look at the credits and you can see this Wille handles the vocals along with electric/acoustic guitars, lap steel, dobro and Weissenborn, Matt Brooks takes all manner of bass an cello/strings while Andrew Naumann plays every percussion instrument going. It's a real cornucopia of sounds from the bottle neck blues of One Way, to finger picked ballad Four Million Days, the hip-hop influenced Keep It On The Down-Low and the tribal Find My Way.

The songs deal with a number of issues but the overarching lyrical influence is how the government have failed to protect us and the environment, on the swaggering Make Love and Southern rocking of Retribution, however it also deals with Wille becoming a father on Watch You Grow and depression on How Long which is a tribute to Chris Cornell and obvious vocal influence. It's a thoroughly retro feelling record that uses modern production techniques to bring a larger sonic palette, because of this it works on two levels, it's immediately accessible but the true talent here is audible after repeated listens, a few weeks in and 2019 has one of it's most musically eclectic releases so far. 8/10

Steel Engraved: Steel Engraved (ROAR - Rock Of Angels Records) [Rich]

Steel Engraved are a heavy metal band from Germany with this self titled album being the third by the band. Steel Engraved have a classic heavy metal sound but influences from contemporary metal and European power metal are quite prevalent in their sound. I found this a fairly tedious album - there are moments of great promise that unfortunately come to nothing. There’s very little excitement or energy in the music with the band sounding like they are phoning it in half the time. Most of the songs go by and leave no lasting impression whatsoever.

The moments where this album does shine are the more power metal influenced songs such as Nightwarriors and Rebellion which have a bit more energy to them. Unfortunately these songs are in the minority and the majority of the album simply sounds tired and uninspired. It’s a shame that this album so failed to grab my attention as the band definitely have the capability to be a great heavy metal act. I haven’t heard the previous albums so don’t know if this is a third album slump but the band definitely need more energy and enthusiasm in their sound. 5/10

Saturday, 5 January 2019

Top 10 Of 2018

Arwen Hutchings

1. Blind River - Blind River

2. The Magpie Salute - High Water 1

3. Idlewar - Fractured

4. Lazuli - Saison 8

5. Electric 6 - Bride Of The Devil

6. Blackberry Smoke - Find A Light

7. The Temperance Movement - A Deeper Cut

8. Vodun- Ascend

9. Grave Lines - Fed Into The Nihilist Engine

10. Doomsday Outlaw - Hard Times

Anthony Hutchings

1. Ghost - Prequelle

2.Clutch - Book Of Bad Decisions

3. Parkway Drive - Reverence

4. Carpenter Brut - Leather Teeth

5. Gost - Possessor

6. Judas Priest - Firepower

7. Daron Malakian & Scars On Broadway - Dictator

8. Powerwolf - Sacrament Of Sin

9. Dimmu Borgir - Eonian

10. Conjurer - Mire

Rhod Davies (No Order)

1. Ghost - Prequelle

2. Judas Priest - Firepower

3. Behemoth - I Loved You At Your Darkest

4. Ihshan - Amr -

5. Portal - Ion

6. Summoning - With Doom We Come

7. Immortal - Northern Chaos God’s

8. Obscura - Diluvium

9. Kamelot - The Shadow Theory

10. Clutch - Book Of Bad Decisions

Jamie Richards (Pity My Brain)

1. All Them Witches - Self Titled

2. Church Of The Cosmic Skull - Science Fiction

3. The Virginmarys - Northern Sun Sessions

4. Uncle Acid And The Deadbeats - Wasteland

5. Estuary Blacks - Self Titled

6. Mammoth Weed Wizard Bastard/Slomatics -Totems

7. Pete Spiby - Failed Magician

8. Graveyard - Peace

9. Vodun - Ascend

10. Various Artists - The Wall Redux

Joey Watkins

1. Valafar - Wolfenkind

2. Agrona - Realm Of The Fallen

3. Skinned - Shadow Syndicate

4. Incursion -Scourge

5. Skindred - Big Tings

6. Gutlocker - CRY Havok

7. Judas Priest - Firepower

8. Bury Tomorrow - Black Flame

9. Clutch - Book Of Bad Decisions

10. Sentry- Bacteria

Charl Foo

1. Gnod - Chapel Perilous

2. Uniform/The Body - Mental Wounds

3. Not Healing Portal - Ion

4. Anna Von Hausswolf - Dead Magic

5. The Body - I Have Fought Against It, But I Can’t Any Longer

6. Low - Double Negative

7. Gnaw Their Tongues - Genocidal Majesty

8.Bodyhacker - Demos

9. Daughters - You Won't Get What You Want

10 Big Lad - Pro Rock

Duncan Everson

1. Saxon – Thunderbolt

2. Monster Truck – Evolution

3. Clutch – Book Of Bad Decisions

4. Federal Charm – Passenger

5. Crossfaith – Ex_MacHina

6. TesseracT - Sonder

7. Red Dragon Cartel - Patina

8. Gary Numan – Savage

9. The Grudge – Riding With The Vikings

10. Judas Priest - Firepower

Rick Eaglestone

1. Alien Weaponry - TU

2. Carnation - Chapel Of Abhorrence

3. In The Woods - Cease The Day

4. Agrona - Realm Of The Fallen

5. UN - Sentiment

6. Sleep - The Sciences

7. Mammoth Weed Wizard Bastard/Slomatics - Totems EP

8. Deicide - Overtures Of Blasphemy

9. Nervosa - Downfall Of Mankind

10. Ghost - Prequelle

Mike Knight

1. Ghost - Prequelle

2. Dimmu Borgir - Eonian

3. Behemoth - I Loved You At Your Darkest

4. Deicide - Overtures Of Blasphemy

5. Powerwolf - The Sacrament Of Sin

6. Architects - Holy Hell

7. Bloodbath - The Arrow Of Satan Is Drawn

8. At The Gates - To Drink From The Night Itself

9. Parkway Drive - Reverence

10. Judas Priest - Firepower

Friday, 4 January 2019

MoM Writers' Top 20 Albums Of The Year

(Paul H) By the end of 2018 I’ll have reviewed over 400 album releases in 2018. It’s been a ridiculously brilliant year for our music. Endless streams of superb albums have passed our way, and it’s to Matt’s credit that he’s always kept a steady hand on the wheel. Of course, when you review so many releases, it must take something exceptional to stand out. There were so many albums this year that could have made this list. I’ve tried to cover a range of genres, from black and death metal through to more classic rock and progressive music which all appeal to me.

I could have written this list 20 times and it wouldn’t have been the same on any of them. You could add to the 20 below Primordial, Amorphis, Cattail Brew, Saxon, Valafar, Blasphemer UK, Memoriam, Wiegedood, Against the Grain, Bloodshot Dawn, Legion of Wolves, Ring of Gyges, Black Moth, Tribulation, Lunatic Soul, Necrophobic, Jungle Rot, The Magpie Salute, Alice in Chains, Electric Six, Ann Wilson, Aborted, Unleashed, Ultha, Marduk, The Temperance Movement, Blackberry Smoke, Audrey Horne, Barren Earth, Betzefer, Tomb Mold, Corrosion of Conformity, Omnimum Gatherum, Obscura, Mist, Solstice and Gruesome, all of whom delivered fantastic albums.

With 2019 already dripping with new releases, I already recommend Swallow The Sun and Flotsam and Jetsam whose new releases drip with brilliance. 2018 was astonishing. So, without further ado, here’s my top 20, furnished with a quote from my reviews where applicable and from some of my Musipedia brothers when I didn’t get to the release first! Enjoy.

(Sean) And so another years end is upon us, another cycle of complete and a chance for us all to reflect on the finer things in life. Goals that we have achieved? Places that we finally visited? Feck aff with ‘dat shite, it’s all about the amount of killer metal released and 2018 proved to be no less potent. Whilst death metal may have reigned supreme for it’s duration, there’s been no shortage of pleasant surprises and proof that metal is as potent as it’s ever been (looking at you, Oli Sykes). So, with all that word bollocks out of the way, sink your face into this list of slaying steel.

(Paul S) It’s that time of the year again. It’s nearly Christmas, we’re getting close to the end of the year, so it’s time to take a beautiful creative, subjective art-form and judge it based on our own arbitrary system. It has been a great year for music, this list has taken quite a while to compile, I’m still a little unsure about the order. I’ve left out some really great albums, so much good stuff has come out this year.

Matt - Top 20

20. Orphaned Land - Unsung Prophets & Dead Messiahs
See Paul H

19. Crippled Black Phoenix - Great Escape
"Great Escape is their darkest record yet it's less about the anger more about disappointment, however there are a lot of joyous moments here hidden, creeping out of the woodwork just trying to make things better overall but you have to listen for them, it's a record that cements Crippled Black Phoenix as one of the most uniquely talented forward thinking bands around."

18. Oceans Of Slumber - The Banished Heart
"The Banished Heart is the culmination of a perfect storm of musical dexterity, personal tragedy and resilience in the face of adversity, it’s a record with a fervour that it finds hard to contain and it’s simply brilliant"

17. Conjurer - Mire
"Much like Gandalf do not take them for just being capable of a few cheap tricks, this is real magic worthy of a legendary (Electric) wizard"

16. Visigoth - Conqueror's Oath
"Buy Conquer's Oath, play it loud and worship the steel and silver!"

15. Black Moth - Anatomical Venus
"Repeated plays allow the album to permeate deeply, and each spin cements what a stunning piece of work this is"

14. Witch Tripper - I, Of The Storm
"I, Of The Storm is a massively entertaining slab of riffage which moves Witch Tripper on to the next level"

13. Orion's Reign - Scores Of War
"This album has every style of muscular power metal I love and having listened to this album numerous times it gets better with every spin, glorious!"

12. Dukes Of Orient - Dukes Of Orient
"Dukes Of The Orient is a retro feast for anyone that picked up the 1992 record Aqua (the first Asia album with Payne) or of course those that had been on the AOR/Prog train since they first heard Heat Of The Moment."

11. Witch Mountain - Witch Mountain
"The result is imposing; a gritty mix of dark blues, thunderous doom and even some death growls."

10. Savage Machine - Abandon Earth
"The apocalyptic vision of Savage Machine’s debut full length is a classic metal masterpiece. These Danes bring together everything I love about metal on album and over the ten songs on this record they bring a big goofy grin to your face again and again."

9. Haken - Vector
"emphasising that while this band and entire genre has a habit of cloaking any relatedness behind elaborate tales, at their core, they remain incredibly emotional and immersive"

8. Michael Romeo - War Of The Worlds Part 1
"With a second part promised you do wonder how they will follow this, it's the best Symphony X album never made if you like progressive metal then you need to hear this!"

7. Valis Ablaze - Boundless
"A record with rousing choruses set to a backing of lush soundscapes and progressive riffs that will have you gurning like Les Dawson...This is an ambitious record that achieves everything it sets out to be, listen and observe but don't get too close Valis Ablaze are currently en fuego"

6. VOLA - Applause From A Distant Crowd
"Ambitious and spine-tingling at times Applause Of A Distant Crowd deserves all the plaudits it's going to receive, play it repeatedly to really hear it and you won't want to listen anything else for a while."

5. Ghost - Prequelle
"Pop-metal mastery, occult theatrics and out of the ordinary covers, check on all three this is Ghost’s modus operandi and it’s brilliant."

4. Agrona - Realm Of The Fallen
"I proceeded to play it multiple times at very high volume and I can truly say that after numerous line up shuffles and honing their (witch)craft on stages across the land the quality of this record is astounding... Realm Of The Fallen tour-de-force of epic proportions."

3. Clutch - Book Of Bad Decisions
"It’s becoming a challenge to find superlatives for the Maryland four-piece whose long awaited 12th album fulfils all expectations. Neil Fallon, Tim Sult, Dan Maines and Jean Paul Gaster continue to follow their own destiny, creating songs which fit with their own passion and vision. They don’t follow trends, they simply produce quality music."

2. Blind River - Blind River
See Paul H

1. Judas Priest - Firepower
"Album no 18 from the metal gods and it continues with the same level of quality which the Priest delivered in spades on 2014’s Redeemer Of Souls...It’s British Heavy Metal at its finest."

Paul H - Top 20

1. Behemoth – I Loved You At your Darkest
“The rapid-fire tremolo picking, thunderous drumming and massive riffs all create something magical. You need to hear this album. And then play it again. This is my album of the year. In the face of all competition, the Polish blackened metal of Behemoth sits highest.”

2. Orphaned Land – Unsung Prophets and Dead Messiahs
“Once more the band has served up a treat with a magnificent release that builds upon their previous albums, intricate pieces nestle comfortably alongside the straightforward death metal passages … we embark on a typical journey which encapsulates the Orphaned Land approach; protest, resistance, joy, tragedy, anger; all encapsulated in anthemic and poetic compositions.”

3. .Blind River – Blind River
“With every track liable to infest your brain with the catchy hooks, what more can I say but get hold of a copy now and enjoy the ride. Blind River have delivered a slab of blues rock ‘n’ roll which just oozes quality.”

4. Riverside – Wasteland
“Ultimately, Wasteland is an album that features segments of nearly every Riverside album. There’s the melody of Love, Fear And the Time Machine, alongside the rawness of Second Life Syndrome and the debut angst of Out Of Myself. Less polished than previous releases, it’s the fresh, honest sound that provides a rawness which the band clearly needed to flesh out. It’s impossible to find a flaw on another magnificent release, which stands proudly alongside their catalogue and Duda’s solo work with Lunatic Soul. If you want a blueprint, this is what you follow.”

5. Immortal – Northern Chaos Gods
“A magnificent, triumphant and explosive return to the icy world. Even in the heat of the summer, the bleakness of the permafrost prevails. A grand epic and a welcome return.”

6. In The Woods – Cease The Day
Rich reviewed this beautiful album and commented: “In The Woods have surpassed themselves with Cease The Day, an album that sits in both light and darkenss and all the shades in between. There were several moments throughout where my arm hairs were standing on end which is always a sign that I’m listening to something special”.

7. Dimmu Borgir – Eonian
“Although some of the songs on the album were written as far back as 2012, Eonian is a complete piece of work, which flows from start to finish. The ethereal and haunting closing track Rite of Passage is the perfect finale to an album that is astonishing and incredible.”

8. Metal Church – Damned If You Do
“If XI was an intense ride, Damned If You Do at the very least accelerates even harder. The riffs are bigger, heavier and more crushing, whilst Howland and Steve Unger have the rhythm section locked down perfectly.”

9. Clutch – Book of Bad Decisions
“It is pacey, laden with groove, clever changes and astute lyrics. It’s been three years. It has been worth the wait. Clutch is synonymous with quality and consistency. A fine album to add to an already amazing body of work.”

10. The Damned – Evil Spirits
“Apparently, the album has been the band’s highest ever placed in the UK chart, and fully deserved it is. There is not a poor track on this release, but stand out tracks for me include Shadow Evocation, with its gothic feel and dramatic increase in pace as the track develops and the politically charged Look Left.”

11. Judas Priest – Firepower
“Firepower impresses in a way that only Judas Priest can do. It’s British Heavy Metal at its finest. Sit back, crack open a glass of something cold and enjoy the Metal Gods doing what they do best. Pure heavy metal.”

12. Orange Goblin - The Wolf Bites Back
“… with this latest release the band have hit an even higher gear and are demonstrating the adage that there is no replacement for experience and quality. It’s been four years since the excellent Back From The Abyss pummelled our ears, and since that time the band has put a lot of effort into getting their ninth album spot on. The good news is that The Wolf Bites Back is as good as anything the band has ever released.”

13. Bloodbath – The Arrow of Satan Is Drawn
“Utilising the state of the world as inspiration for the themes, Nystrom and his wretched souls have created a fetid, stench ridden release which demands repeated plays. Tracks like Deader, the harrowing Morbid Antichrist and the closing B-movie soakd Chainsaw Lullaby all combine on one of the most rotten, stinking and repulsively incredible death metal albums of 2018.”

14. Phil Campbell & The Bastard Sons – The Age of Absurdity
“Campbell’s guitar work is sublime throughout; subtle little licks and passages nip in and out whilst Todd and Dane supply ample support. Starr’s voice is ideally suited to the tracks, which retain the rock ‘n’ roll feel throughout. This is a very pleasing release that will grow as the tracks become more familiar. One of the classic rock albums of the year.”

15. Skeletal Remains – Devouring Mortality
There is little to say about this release. It simply destroys! From the opening track Ripperology to Internal Destestation, the Californian’s who took their name from a line in a Demolition Hammer song go full throttle for the jugular. It’s 100mph, a swirling slashing maelstrom of sinister and evil intent, underpinned with a groove and melody that makes it accessible yet retaining the lacerating approach of all-out death thrash metal.

16. Winterfylleth – The Harrowing of Heirdom
“The shorter instrumental tracks with the combination of cello and acoustic guitar, such as penultimate track Resting Tarn, A Gleeman’s Volt and Embers nestle comfortably alongside the longer story telling of the likes of Edler Mother, The Shepherd and the magnificent title track which closes the album. Unique, original and utterly spellbinding, this is a truly magical piece of work.”

17. Soulfly – Ritual
“Ritual is worth the three year wait. As soon as Marc Rizzo’s unmistakable trademark riffs open the album on the title track, which then explodes into a melee of tribal thrash you know exactly where you are. It’s hard, it’s heavy; it’s Soulfly.”

18. Grà – Väsen
We didn’t review this superb release but suffice to say in the face of massive competition in the black metal field this year, Heljarmadr and co have delivered a monstrous third album that simply annihilated.

19. Agrona – Realm Of The Fallen
Matt reviewed this brutal debut. His comment: “It’s a brilliantly realised debut from a band who have become one of the best on the South Wales scene. Get ready to enter The Realm Of The Fallen; You’ll never want to return.”

20. The Pineapple Thief - Dissolution
“I’ve listened to this album continuously since it was released, and it continues to provide delicious moments of almost insatiable quality; much like that first drink after a thirsty hike, soaking up Dissolution is a moment that leaves you desperate for the same again. I didn’t think that the band could improve on Your Wilderness. Dissolution might just be their finest hour.”

Paul S - Top 10

20 - Drawn And Quartered - The One Who Lurks
Very few bands can deal out these levels of intensity, which is what makes this album so special. Not for everyone, but essential for those who get it!"

19 - De Profundis - The Blinding Light Of Faith
De Profundis have produced a fantastic extreme technical death metal album with “The Blinding Light Of Faith”. The album is strong enough to stand up to repeated listens, in fact, it’s such a complex piece of brutality that it Demands repeated listens. Highly recommended!

18 - Leeched - You Took The Sun When You Left
This album has a unique feel to it, the mixing of slow and fast, whilst not loosing any intensity is rare, and these guys pull it off brilliantly. Sublimely viscous, beautifully nasty.

17 - Message In A Cloud - Anassa
Anassa is a beautiful, cathartic piece of work, I’ve really enjoyed listening to it.

16 - Ævangelist - Matricide In The Temple Of Omega
 If you like music that challenges you, that is difficult but ultimately rewarding, then this could be for you as well. Personally, I love it, even if it scares me a little.

15 - Vreid - Lifehunger
Lifehunger is a great album, and it fits in perfectly with the very impressive body of work that Vreid have created during their 14 years of making music. Highly recommended!

14 - Deadly Carnage - Through The Void, Above The Suns
Great songs, well played, with nothing out of place to jar the listening experience. It’s one of those albums that when you come to the end of the album, you just want to go strait back to the start and listen to it again.

13 - Wolvennest - Void
If you love heavy music, and have an open mind, I urge you to check this out. It’s a meditative, thoughtful, achingly sexy, pulsing, droning, heavy, beautiful, bewitching and exquisite masterpiece.

12 - Allfather - And All Will Be Desolation
They have the heaviness of early Electric Wizard, the groove of Carnival Bizarre era Cathedral, the furious anger of Eyehategod and the swagger of Orange Goblin, whilst not actually sounding like any of those bands. Allfather have their own sound, they aren’t trying to anyone but themselves. Don’t be surprised if this album is featured in all the best album of the year lists in about a month, it’s going to be in mine. Did I mention that this album is really heavy?

11 - Primordial - Exile Amongst The Ruins
Primordial didn’t make any huge changes for this album. This is their established sound, realised perfectly.

10 - High On Fire - Electric Messiah
 Electric Messiah is probably High On Fire’s best album, from a band that have only made good albums. Do yourself a favour and get this album, it’s impossible to listen to it without smiling!

9 -  Zeal And Ardor - Stranger Fruit
An intriguing mix of black metal and spirituals. Definitely the most original thing I’ve heard this year.

8 -  Wiegedood - De Doden Hebben Het Goed III
Savage and beutiful in equal measure. The perfect end to the De Doden Habben Het Goed trilogy.

7 -  Thy Catafalque - Geometria
If you are an open minded Black Metal fan with a love of experimental, interesting music, then this could be your new favourite album. Sublime.

6 -  Voivod - The Wake
Even though the album is called The Wake, and considering the tragedy that this band have experienced, this album feels joyful. There is something uplifting and positive about it. I could have got this completely wrong, I might have misinterpreted it, but it makes me feel happy. I can’t think of a better recommendation than that.

5 -  The Men That Will Not Be Blamed For Nothing - Double Negative
Don’t be confused by the ‘steampunk’ label, this is punk, and pretty angry and aggressive punk at that (in some places it verges on thrash). Funny, intelligent lyrics that use victorian subjects to talk about current issues. This album was the soundtrack to my March and April.

4 -  Bast - Nanoångström
Nanoångström is a brilliant Doom / Black Metal album. I liked it the first time I listened to it, and it has grown on me with every listen. It’s beautiful and nuanced, massively heavy, intense and ferocious, all in one album. Highly recommended!

3 -  Winterfylleth - The Hallowing Of Heirdom
An amazing acoustic album, not folk; this is a much older style of music. Beautiful, melancholic and immersive. Having this album on my Ipod has really helped my mental health this year!

2 -  Ultha - The Inextricable Wandering
Dark, atmospheric, brooding, emotive and cathartic. My favourite black metal album released this year.

1 -  Yob - Our Raw Heart
Mike Scheidt nearly died after contracting Diverticulitis, and then again from a post operative e-coli infection last year. Coming so close to death seems to have given Mike a different view of the world. He seems to be more aware of the positive, affirming aspects of life, he’s still angry, and depressed at the state of the world, but seems to have gained an insight into not missing the beauty and love. Hence we have Anger and Acceptance, Rage and Understanding, Depression and Joy. And Our Raw Heart is a perfect reflection of this.
Yob have followed up one of the best Doom albums ever made, with a Doom album that is even better. 

Sean Morgan - Top 20

1. Panegyrist - Hierugry
This one caught me by surprise. Dense and complex yet not completely inaccessible, Panegyrist have created a work of transcendental blackened beauty. Black Metal can often be a stifling genre but Hierurgy sails past these trappings with ease. Essential.

2. Scorched - Ecliptic Butchery
Pushing the boundaries of your genre is all well and good but, in our heart of hearts, does this alway satisfy? We know, deep down, that we all crave unashamedly filthy OSDM with little regard for trend or innovation. Inhumanly low gutturals, wailing leads and jagged riffs to match, never has the rotten sounded to fresh.

3. Anaal Nathrakh - A New Kind of Horror
A veritable institution in the British extreme metal scene, Annal Nathrakh expand their sound once again to even greater levels of nihilistic depravity. This certainly isn’t a happy album and quite frankly?I hope Dave and Mick remain miserable, for the end result is this slab of a nightmarish beauty.

4. Alkaloid - Liquid Anatomy
Featuring more talent to make most want to quit music forever, Alkaloid return with another excursion into all things tastefully complex. Liquid Anatomy is an ever changing beast of progressive, technical death metal wizardry sure to please all fans and potential converts alike. To infinity and beyond!

5. Ascaris - The Raised Hand
Brutal intensity and merciless precision! Razor sharp blackened death metal delivered at a breakneck pace! Ascaris have been unleashed upon the world and The Raised hand is an absolute destroyer of a debut.

6. Lik - Carnage
Boss HM2 + killer Swedeath riffs = profit. What more do you want? RIP AND TEAR!

7. Feral - Flesh For Funeral Eternal
Same as above. Want more? Fine! Feral’s more groove laden approach ensures that your neck will forever be in blissful agony, from now till the end of all life. THE SWEDISH SAW IS THE FUCKING LAW!

8. Construct of Lethe - Exiler
Dissonant and melodic aren’t two words you’d usually associate with each other, but Exiler is a perfect example of coexistence in the contorting chaos that is Construct of Lethe. Deathspell Omega meets Domination era Morbid Angel? This still wouldn’t accurately describe CoL’s wonderfully contorted brand of death metal.

9. Omnuim Gatherum - The Burning Cold
A masterclass in melodic death metal from the Finnish elite. What more can be said? Delivered with dextrous musicianship and supreme compositional might, Omnium Gatherum have left their competitors in the cold (’scuse the pun).

10. Tomb Mold - Manner Of Infinite Forms
There's something filthy emanating from Canada, and this beast of a release it completely responsible. Boil and grime, filth and slime, beware of this fetid death metals toxic touch.

11. Gutter Instinct  - Sisyphus
Sure, you could just stick to worshiping ye olde Stockholm 4. But combine it with hefty doses of black metal and atmosphere? Well, you have this ripper of a release and proof that you don’t need to strictly adhere to the left hand path.

12. Alghazanth - Eight Coffin Nails
The final offering from these Symphonic Black Metallers and Eight Coffin Nails is a triumphant swan song for the furious Finns. R.I.P Alghazanth, your name will live on in legend. You will be missed.

13. Primordial - Exile Amongst the Ruins
There are few certainties afforded to us in the life, but what can be banked on is that Primordial do not make bad albums. Exile Amongst The Ruins sees these Irish legends expand their already evocative repertoire, elevating an already impeccable legacy to even greater heights. Brilliant.

14. Slidhr - The Futile Fire of Man
Another fine Irish band, though these grim Gael’s inhabit much darker depths. Submit your will and cast yourself into the void, for Slidhr have crafted a truly malefic piece of Black Metal. Essential.

15. Horizon Ablaze - The Weight of a Thousand Suns
When mentioned in some of black metals circles, one would imagine that the word “modern” is uttered wth great disdain. Enter Horizon Ablaze, triumphantly stamping these knuckle draggers into oblivion with a stunning exhibition of up to date blackened death and then some!

16. Necrophobic - Mark of the Necrogram
Mark of the Necrogram sees a triumphant return for the Swedish stalwarts, with all weapons brought to bear and firing with on all barrels in Satanic conflagration. No surprises here, though who needs it when your riffs are tighter than a nuns nether regions?

17. Visigoth - Conqueror's Oath
If you fail to be moved by Conqueror's Oath heroic hymns of victory and valour, then leave the fucking hall! True steel never dulls and there are none more truer than Visigoth. Hails!

18. Taphos - Come Ethereal Somberness
Another excellent debut, these diabolical Danes have crafted an utterly monstrous work of blackened death. Wonderfully brutish and tinged with malevolent atmosphere, Come Ethereal Somberness stops at nothing until all has been reduced to dust.

19. Immortal - Northern Chaos Gods
Having survived an acrimonious split and legal dispute, Demonaz and Horgh have unleashed a blizzard beast of a record. Northern Chaos Gods is an emphatic statement that they are the TRUE heirs to the kingdom of Blashyrkh, the TRUE sons of northern darkness. Hail mighty Ravendark!

20. Gaerea - Unsettling Whispers
Many may worship at the old altars of Black Metal but not Portuguese plaugebearers Gaera. No, Garea have their sights set on even darker horizons, infusing traces sludge and hardcore into their sensual onslaught. Unsettling Whispers is a harrowing journey into the many abysses beyond and one hell of a debut.

Alex - Top 20

20. Empire – Glue
‘’From start to finish, everything on Glue feels unique or different. And yes, while you can pick out the musical movement Empire is a part of, it is one they have committed their heart and soul to, allowing them to stand alongside some of the best acts in contemporary alt-prog’’

19. Black Peaks – All That Divides
‘’Black Peaks may take you off guard at first listen or maybe even second, yet it is their combination of the familiar with the unsettling or different, that will kept you enticed, proving beyond a doubt why they are an exciting and game-changing act’’

18. Screaming Females – All At Once
Although I more or less discovered Screaming Females in 2018, they mightily impressed me with their combination of sharp, acerbic songwriting and bold, witty lyricism, splattered across All at Once.

17. Sleep – The Sciences
Arguably the most important band in stoner metal made a comeback in 2019 with an album which is just as hypnotic, experimental and enticing as their past work.

16. Between the Buried And Me – Automata
Considering Automata as one cohesive piece, despite the album being split across two disks, makes for an album which is both rich in complexity and vast in ambition. Meanwhile, BTBAM continues to change, bringing funk laden riffs and commanding hooks to their aggressive sound.

15. Underoath – Erase Me
Whereas Underoath would once openly and proudly declare themselves to be Christians, Erase Me is fraught with internal turmoil. A theme which is expressed both through the agonizing lyricism and expressive instrumentation.

14. MAE – Multisensory Aesthetic Experience
In a year of beep-boops, MAE actually got the ambient electronic experiment right, embracing subtlety, nuance, and attention to detail, while brilliantly reinventing their sound.

13. Rolo Tomassi – Time Will Die And Love Will Bury It
Despite having apparently been on the metal scene, Rolo Tomassi made a considerable impact this year. Understandably so as well, as their new album embraces contrast and experimentation, making for a fascinating listen.

12. Andrew W.K – You're Not Alone
While many may view Andrew WK as nothing more than frenetic hype music, his fans know that his style of partying involves taking risks. You're Not Alone proves that with an album which is both inspiring and a whole load of fun.

11. The Black Queen – Infinite Games
Another act who perfected integrating synths into this year was the Black Queen. When the Dillinger Escape Plan called it quits, many predicted that their skill would make them excel in any project. Infinite Games has proved that assumption true!

10. Zeal And Ardor – Stranger Fruit
Uniquely combining the morose sounds of Chain Gang Chanting with Metal, Zeal, and Ardor is undeniably one of the most enticingly odd acts around. Regardless, they have come a long way from making comedy songs on 4Chan, and deserve all your attention!

9. Architects – Holy Hell
Inspired by the death of a bandmate and a friend, Holy Hell is Architects most mature record, while remaining a visceral listening experience, burning with passion and emotion.

8. Judas Priest – Firepower
Firepower leads the charge in showing off some of the crunchiest riffs Priest have ever put to record, soaring solos screech and wail between verses, and Halford’s voice lacks no ferocity. Many look to the past with Classic Metal Bands, rarely expecting them to forge one of the best albums of their career.

7. Ghost – Prequelle
Aspiration shines from every facet of Prequelle, promising not only wide-ranging success and fame but new experiments, exciting risks and a forever changing, ghostly sense of intrigue.

6. Father John Misty – Gods Favourite Customer
God’s Favourite Customer may not only be Father John Misty’s most introspective album but his most confessional. fans will welcome this new direction, for the fact that the wordplay is still hilariously sharp-witted, and the musicianship still beautifully sad.

5. Idles – Joy As An Act Of Resistance
‘’For the uninitiated, Idles smash together influences ranging from stranglers to Fugazi, capturing perfectly the angst and wit, combined with a serious commitment to music, proving unique and sincere’’

4. Myles Kennedy – Year Of The Tiger
‘’Kennedy has already said he considers his solo material a long-term project. To me, if this is a one-off or indeed the first in a new era in a musical career, the deeply confessional nature make this record stand on its own as something to be remembered and understood as unique’’

3. Coheed and Cambria – The Unheavenly Creatures
‘’Unheavenly Creatures stands among the best albums in Coheed’s discography, bringing back the concept in a way which echoes the rising and falling dynamics of a traditional rock opera. Vaxis: Act I is only the first part in a dramatic journey. To Children and the Fence, the response can only be one of excitement’’

2. A Perfect Circle – Eat The Elephant
Eat the Elephant values subtle dramatics, as opposed to unbridled aggression. Instead of exposing internal pain, societal issues are at play. As the strange title purports, our fixation with consumption is plunged into question, as rich harmonies and instrumentation weave beautiful songs of post-apocalyptic turmoil

1. Haken - Vector
‘’Vector stands as a dark album, Not shy conceptually, we deal with harsh clinical realities of experimentation and psychological torture: concepts precisely captured by the warped and vivid melodies, intersecting and dueling with the instrumentation…While this band have a habit of cloaking and relatedness behind elaborate tales, they remain incredibly emotional and immersive’’

Richard - Top 20

1. Amorphis - Queen Of Time
Amorphis raised the bar for themselves with an extra emphasis on the folk and progressive elements resulting in one of the finest albums of their long career

2. In The Woods… - Cease The Day
In The Woods… have surpassed themselves with an album that sits in both light and darkness and all the shades in between the two

3. VOLA - Applause Of A Distant Crowd
Light years ahead of their debut, VOLA followed it with one of the progressive masterpieces of 2018

4. The Night Flight Orchestra - Sometimes The World Ain’t Enough
Members of Arch Enemy and Soilwork channel early 80’s FM radio and arena rock in an album which shouldn’t work but it really does and it is so much fun

5. Anaal Nathrakh - A New Kind Of Horror
An apt album title as Anaal Nathrakh channel the horrors of World War One into an album which is the musical equivalent of pure terror, The most intense album you will hear from 2018

6. Zeal And Ardor - Stranger Fruit
A standout album for many this year as Zeal & Ardor defy the convention of genre with their unique musical fusion and traditional spiritual African American music.

7. LIK - Carnage
Swedish HM-2 death metal carnage. Pure Entombed and Dismember worship but when it’s done this well who can argue?

8. Primordial - Exile Amongst The Ruins
Primordial raised the bar even higher for themselves with one of the best albums the band have done. A magical and emotional listening experience.

9. Wolfheart - Constellation Of The Black Light
The mix of straightforward melodic death metal mixed with melancholy and dark melodies is a winning combination. Aggressive yet haunting.

10. Judas Priest - Firepower
Bands who have been going as long as Judas Priest aren’t supposed to release albums as good as this at this point in their career yet Judas Priest did just that and it is pure and glorious heavy fucking metal.

11. Winterfylleth - The Hallowing Of Heirdom
Winterfylleth had jaws hitting the floor including my own with their quite frankly amazing acoustic album. Drawing on English heritage and folklore this is an epic, haunting and truly moving masterpiece.

12. Agrona - Realm Of The Fallen
Having seen these guys form and hone their craft in live venues I knew this was going to be a good album but was taken aback by just how good it was. Black metal which is epic in scale and ferocious in nature.

13. Watain - Trident Wolf Eclipse
After the more experimental approach on The Wild Hunt Watain went straight for the jugular with Trident Wolf Eclipse. Truly vicious and utterly uncompromising black metal.

14. Voivod - The Wake
Voivod surprised everyone with an album that is definitely a career highlight from the progressive thrash veterans and easily their best album since DImension Hatröss.

15. Lost In Thought - Renascence
Lost In Thought had me in awe with their long overdue second album sending my mouth agape and the hairs on my arms standing on end.

16. Skeletal Remains - Devouring Mortality
Old school death metal meets old school thrash metal in an album which simply rips your face off. One of those albums which had me envisioning circle pits in my head.

17. Krisiun - Scourge Of The Enthroned
Krisiun go back to basics and the Brazilian death metal trio simply bludgeon everything in their path with their brutalizing death metal style.

18. Immortal - Northern Chaos Gods
The first post-Abbath album sees Immortal sounding better than they have in years combining the raw frantic approach of Battles In The North with the epic style of At The Heart Of Winter. A superb return for the black metal legends.

19. Wiegedood - De Doden Hebben Het Goed III
This album only has a duration of only 34 minutes and a tracklisting of 4 songs but the music in these 4 songs is some of the finest and most uncompromising black metal you will hear this year.

20. Clutch - Book Of Bad Decisions
I thought Clutch had been going through the motions on their last couple of albums and then with Book Of Bad Decisions they slapped me in the face with some of the most awesome rock and roll tunes the band have ever done.
As an extra our friend from Rocksins/Stereoboard Jon Stickler sent us his Top 20

1. Ghost - Prequelle

2. Judas Priest - Firepower

3. Clutch - Book Of Bad Decisions

4. Turnstile - Time & Space

5. Pagan - Black Wash

6. Tribulation - Down Below

7. Visigoth - Conqueror's Oath

8. Orange Goblin - The Wolf Bites Back

9. Haunt - Burst Into Flame

10. Alice In Chains - Rainer Fog

11. Parkway Drive - Reverence

12. Architects - Holy Hell

13. Interrupters - Fight The Good Fight

14. Palm Reader - Braille

15. Behemoth - I Loved You At Your Darkest

16. Skeletonwitch - Devouring Radiant Light

17. Alien Weaponry - Tu

18. Vein - Error Zone

19. Conjurer - Mire

20. Black Moth - Anatomical Venus

Monday, 31 December 2018

Top 10 Worst Albums Of 2018

Paul H

1. Abstract Void – Back to Reality 1/10
“Programmed, muffled and lacking originality, no wonder the person behind it remains anonymous”

2. Crystal Ball – Crystalliser 1/10
“I should have known when I read that they were initially known as Cherry Pie that I was in for a Warrant sized eye fucking, but nothing could quite prepare for the diarrhoea splatter that confronted me”

3. Marco Mendoza – Viva La Rock 2/10
“If you think this is quality hard rock, then you have my endless pity. I’d rather have piles than listen to this arse sore again.”

4. Chris Bay – Chasing The Sun
“I think I found a sneaking admiration that he was able to churn out such a horrible fuckworm with a straight face.”
5. P.O.D. – Circles
“I slavishly listened to all of Circles. More fool me. The rap-influenced metal is ghastly. The Christian lyrics make me want to hurl bricks through glass plate windows.”

6. Stryper – God Damn Evil 2/10
“I managed to listen to this one all the way through, but second helping had me screaming for my water to be turned into a vat of wine that I could drown myself in.”

7. Straight Terror – Between The Lies 2/10
“I love thrash, but this is awful stuff I’m afraid; if I wanted to listen to Kreator then I’d listen to the real thing. A pale imitation.”

8. Thorium – Thorium 2/10
“Having to struggle through the wailings of a singer who really needs to find another role in life required more anaesthetic than I had to hand.”

9. Midnight Force – Dunsinane 2/10
“If you want your metal full of sword and chains imagery and recorded underwater, you may fancy a bit of this. If you value your hearing, I’d give it the swerve.”

10. RSO – Radio Free America 2/10
“They may be talented virtuoso guitarists, but holy shit, this is dreadful. I’m sure that music for mothers is a thing – the equivalent of dad rock maybe? All I know is that Stief, who should have reviewed this, will get something very nasty in his sleeping bag at Bloodstock because of this.”

Paul S

10. Gravewards - Ruinous Ensoulment
"In the last few months, I’ve listened to quite a few albums whose sound is pretty much indistinguishable from this album. It’s a good album, but the band need to find their own sound, so they will stand out. They can clearly play, but they need an identity of their own if they are to have a future."

9. The Shiva Hypothesis - Ourobos Stirs
"The main problem I have with this album is that it feels a little lack lustre. I found, after a couple of listens, I didn’t really want to listen to it again. There aren’t any parts thats grab you and make you want to listen to it. The production feels a little off. As I said before, the vocals are too high in the mix, and the guitars don’t feel very organic."

8. Sacrosanct - Necropolis
"From a band that used to play thrash, this is a bit disappointing. The songs on this album all feel a bit lacklustre, about 10% faster and the album would be transformed, but the excitement never really arrives."

7. Green Death - Hallowmass
"According to the bumf that came with this album “Green Death are re-defining Thrash”, I have to take exception to this as, well, they aren’t.This isn’t a good album. If the band can concentrate on the bits that work; the faster thrashier music, and harsh rasping vocals, they really could have something. But this album really doesn’t work. I am relieved that I have now reviewed this album, as I now can stop listening to it!"

6. Allegiance - Beyond The Black Wave
"O.K. I’ll admit it, these guys have got some balls to rip off one of the biggest and best Black Metal bands of all time, and to tell people they are doing it (Emperial Black Metal) takes even more bare faced cheek. But I can’t see the point of this album. The few bits that aren’t nicked are lack lustre and lacking in imagination. The only good thing about this album is that it has reminded me of what a great band Emperor were. Just listen to the originals, they are so much better!"

5. Betrayer - Scaregod
"Scaregod isn’t a bad album. In fact it’s a really good piece of old school death metal. It’s just that it’s someone else’s really good old school death metal album. It’s a shame, as the musicians involved are clearly very talented. But, they have to find their own identity if they are to have any relevance at all. If you don’t know Morbid Angel, this will definitely impress you, but you’ll be much more impressed if you listen to the originals."

4. Tornado - Commitment To Excellence
"Unfortunately, it sounds like the less impressive output of American thrash. A lot of this album is a little lacklustre and generic. The band have a nasty habit of starting songs with nice, tight, fast riffs, but as soon soon as the vocals come in the songs slow down and plod."

3. Carbon Black - End Of This
"Everything that was unspeakably dreadful about Nu Metal is on this album, deeply over-simplistic music, with horrible vocals. This unmitigated tripe might have had some success 20 years ago when Nu Metal was big, but this probably wouldn’t have been taken seriously even back then. I’m seriously thinking of seeking therapy to help me recover from having to listen to it (maybe a Nu Metal survivors group). I’d like to make a personal plea to this band - Please stop, It’s not big, it’s not clever and no one is impressed by it."

2. Rebel Wizard - Voluptuous Worship Of Rapture And Response
"I’m sure when Bob told his mates down the pub what he was planning they thought it was hilarious. Bad power metal with loads of mediocre solos (and there are so many, very generic solos, which are also far too high in the mix), terrible vocals and overlong, not overly funny song titles, probably sounds amazingly funny when you’re pissed down the pub, his friends probably thought the idea was ripping! But this is material that just doesn’t work, and needs to be dropped. The fact that this project has produced 7 EPs and 2 albums in 3 years might be a clue to the lack of quality here. Maybe if Bob had only made one Rebel Wizard album in that time he might have made one good album rather than lots of fairly mediocre music. Then again, maybe he should stick to hardcore."

1. MMMD Mohammed - Hagazussa A Heathens Curse
"If you are thinking “A tone that holds for a few minutes before fading? Hot Damn, that sounds like a party!!!”, then fair enough, dive in. But to me this is just wasted space on my hard drive; Pointless (which is what it’s going to get I’m afraid). "

Alex

10. Shinedown – Attention-Attention
"Despite being significantly heavier than the last album, these songs feel forced to the point of parody. Meanwhile, the overbearing synth effects prove incredibly distracting. Attention-Attention is the cynical result of a band wanting to court radio appeal while maintaining their credentials of a hard rock band."

9. Therapy? – Cleave
"Badly performed and produced, to quote my original review of this album this is ‘’a sterile, thrown together and tediously dull, sloppy mess of an album, which doesn’t so much as deserve a place in the cesspit of worst of the year lists, as it does a space in the musical dustbin, where it can be easily disposed of and quickly forgotten’’

8. Deaf Havana – Rituals
"A massive disappointment, Deaf Havana strangely decided to rush out an album less than a year after ‘All these countless nights’, abandoning all their soulful and heartfelt Songwriting. In the absence of a substance or that Springsteen-esque quality which bought life to their early releases, we instead get lyrical pretensions’ and yet more unnecessary synths. I just hope there’s a care left in Veck-Gilodi and co." 

7. Disturbed – Evolution
"And the award for most ironically titled album of 2018 goes to…Look, no matter what you think of the Sickness or Believe, they are undeniably important albums within the early 2000s metal scene. Despite every album being touted as a comeback, Disturbed have embraced devolution, clinging to the remnants of an outdated sound, while proving unwilling to take the risks necessary for a true return to form"

6. Muse – Simulation Theory
"Upon the release of simulation theory, I was saddened to find a collection of songs, constituting a pitiful attempt at an 80s throwback, while lying to rest the ingenuity and creativity which normally defines Matt Bellamy and co. I have seen some extremely polarizing opinions, some praising and others lamenting the new direction – believe me when I say I derive no satisfaction in my ardent distaste"

5. Atreyu – In Our Wake
"In our wake isn’t messy in a way which screams of a band reaching for the stars and falling short, Rather, every idea, every so-called experiment, feels hackneyed or betrayed, wither by squeaky-clean production, poor composition or terrible lyricism. Hardcore Atreyu fans, in our Wake, is best listened to with a hot water bottle and headache relief tablets at your disposal’’

4. Ministry – Amerikkkan
"I confess I have never been a fan of Ministry, yet I can understand why they are seen as juggernauts within the industrial metal genre. Yet judging by the reaction from fans, they are sorely disappointed with how the more recent output has stayed obnoxious while disposing of complexity and intricacy. Amerikkka is a mess of the poor production, embarrassing political sampling, and lazy performances."

3. Five Finger Death Punch – And Justice For None
"Gone are the days of The Bleeding, FFDP are now entirely focussed on appearing tough, championing a style of bro-rock which is impossible to take remotely seriously, and not in a charming way. Ivan Moody and his bandmates have become so lazy, so uncaring towards the thousands of fans who bafflingly still support them, that even their label sued them for ‘’shamelessly trying to cash in’’. Don’t let these overrated hacks embarrass metal any further."

2. Fall Out Boy – Mania
"Three albums into their comeback, it is clear Fall out Boy has stopped caring. Personally, Save Rock and Roll and American Beauty/American Psycho strike me as incredibly inconsequential and unfulfilling, though I always interpreted some potential hiding in them. Disappointingly, MANIA shows neither the passion nor the sense of risk-taking needed to create a revitalization or slow a steady descent into mediocrity and irrelevance."

1. 30 Seconds To Mars – America
"Perhaps to the disappointment of those invested in the early material, AMERICA exudes neither the show of talent nor the drive to create anything powerful. Even the various album covers, each of which has a list of something followed by a less-than-insightful footnote, should instead be captioned ‘one of a few designs we didn’t devote effort to’. The album panders hopelessly to trends while wearing its pretentiousness like elaborate set designs in a film robbed of any promise by the laziness of the performers."

Sunday, 30 December 2018

A View From Another Country: Koupes

Koupes & R For Renegade, Prague Draft Live Stage, Kastoria Greece

I can't get away from this stuff even when I'm on holiday in Greece it seems that I'm still invited to watch bands and give my opinion on them. I been in Prague Draft Livestage before it is sort of a lounge bar that has a lot of rock band playing in there. In fact a week after I leave Gus G will be bringing his solo band to the same venue.

The last time I was here though it was for local act made good Scars Of Tears but they say that the more things change the more they stay the same and that was true on this twixtmas night. The last time we were here the support act was R For Renegade, this time the support was R For Renegade (5) a Greek rock band that plays their own songs interspersed with covers. The covers were the probably the best received except for one of their own numbers but when you bring out Wicked Game (Chris Isaak), What I've Done (Linkin Park) and Seven Nation Army (White Stripes) you'll get that response. However the problem remains that their playing is a little simplistic and the singer's voice, in Greek and English, is not very good at all, still the locals enjoyed it as the alcohol flowed like water.

A short change over and the band (that translates to mugs/cups or the Hearts suit in cards - thanks to my Greek companions for the translation) came to the stage, again they were a home-town band and much like in the Cardiff scene they were made up of members from other bands including Scars Of Tears and Slavedom, both of whom have been reviewed in these pages. They feature drummer Christos Polizos, bassist Sakis Sarafas, guitarists Babis Stephanidis and Achilleas Parzikas and lead vocalist Athena Delliou. Together the band play excellent alternative/gothic heavy rock at a level that was far superior to the support band. You can clearly tell that the members of Koupes (8) have all served their time on the Greek rock/metal scene as they were a slick drilled unit who are currently supporting their debut album.

The lyricism was all in Greek yes but that's not a barrier to great musicianship or the absolutely superb voice Athena who is talented beyond her years and glides above the riffs brought by the rest of the band, the contrast between her and the gruffer voices of the two guitarists was brilliant and it made the songs really stick in your head despite the language barrier. At times straightforward but at others more progressive they were a warmup for the Lemmy tribute night later that evening and what better way to remember the man himself by getting out there and watching some live music. With an album under their belt and representation I expect them to be playing bigger stages soon.

Saturday, 29 December 2018

Top Gigs Of The Year

Paul H

1.Slayer/LOG/Anthrax/Obituary – Palacio Vistalegre, Madrid 17th November 2018

2.Wolves In The Throne Room/Wode – The Globe, Cardiff 28th June 2018

3.Sons of Apollo – SWX, Bristol 29th September 2018

4.COC/Orange Goblin/Fireball Ministry/Black Moth – Great Hall, Cardiff 3rd November 2018

5.Testament/Annihilator/Vader – Motion, Bristol 29th March 2018

6.Lionize/Planet of Zeus – The Fleece, Bristol 3rd May 2018

7.Saxon/Diamond Head/Rock Goddess – The Great Hall, Cardiff 22nd February 2018

8.Vader/Entombed/The Drowning/Hellavista – The Globe, Cardiff 2nd November 2018

9.Hawkwind – London Palladium 4th November 2018

10.Phil Campbell & The Bastard Sons – The Globe, Cardiff 23rd November 2018

Worst Gig Of 2018

Molly Hatchet at The Globe, 9th December 2018

Paul S


1. Warning at Desertfest.

2. Yob and Wiegedood at The Fleece, Bristol.

3. Crowbar and Ingested at The Globe, Cardiff

4. Wiegedood and Dawn Ray’d at The Luisiana, Bristol

5. Wolves In The Throne Room and Wode at The Globe, Cardiff.

Friday, 28 December 2018

Reviews: Arrayan Path, Minus One, Minorfase, Automaton

Arrayan Path: Archegonoi (Pitch Black Records)

Move over Sabaton, Arrayan Path are going to be dealing with the classic Hellenic myths from now on. This double disc collection, the seventh full length from Cyprus is based around the Greek myths and characters that many of you may have heard of such as Hydra, Menelaus, The Lion Of Amphipolis, Pandora and of course the Spartans at Thermoplyae. Over blown and epic Arrayan Path take the Sabaton lyrical approach but with the music it's pure Rhapsody/Manowar theatrical symphonic metal from the opening moments as they recount these myths in their ott glory using traditional instruments as well as the de-rigueur guitar, bass, drums, keys. 

If you're not the biggest fan of symphonic heavy metal then I'd say it's best to stay clear of this record as I've said it is a double album at a whopping 14 songs meaning that for some it maybe too much. Me on the other hand I love something a little bit overly silly and I've got a classics degree so I did have a big goofy grin on my face for the overblown Seven Against Thebes or the heavy Sins Of Pandora and did find myself throwing the occasional fist and singing along by the second listen. Like I said it is an epic record both musically and in it's run time but for anyone brought up on Manowar, Rhapsody et al, then this should be on your New Year buying list. 8/10

Minus One: Red, Black, White (Mighty Music)

Cypriot alternative rock band, represented Cyprus at Eurovision. This is their debut album and it's a real mix of sounds two of the tracks the opener, The Greatest and Girl sound exactly like Shinedown from the fist pumping electronic rhythms to the vocals, the similarity is uncanny. But then you get plenty of different sounds with some swaggering hard rock on How Does It Feel which has some brass to really make it like an Extreme track and the title track is riddled with electronic buzz before Psycho 5 brings industrially tinged pop. 

On these four songs alone you get the feeling Minus One are very broad church when it comes to influence they seem to be able to turn their hand to most styles due to the versatility of frontman, who's vocals are simply stunning throughout. The band aren't to shabby either mind you from the moody multi-layered approach of Nothing For Nothing, the bloozy acoustics of The Other Side Of Mind, the screaming solo in Girl, they're even a dab hand at a cover closing the album out with You Don't Own Me which is a brilliant duet version of this classic. It's unashamedly upbeat as you'd probably guess from a band that have competed in Eurovision but unlike fellow rockers Lordi there seems to be more than one string to their bow which makes this album an enjoyable listen. 8/10

Minorfase: 5 Symptoms Of Spiritual Awakening (Self Released)

Greeks like stoner rock, that's a fact so it's always worth listening to a a band from the region that plays distorted riffs in homage to the finest green. Minorfase is one such band, NOLA sounding riffs and a powerful rhythm section mean that Moneymaker immediately brings to mind COC as frontman has that Pepper Keenan drawl, a few numbers get a psychedelic sprawl but most are are more to the point with some grunting heavy metal that gives way to reverebed soloing. At just 6 tracks this second album makes its point in the most direct way possible giving you what you need from this style of music right away without any of the other bullshit. The might be Minorfase but it's a major win for this album. 7/10

Automaton: Talos (Sound Effect Records)

Much like the usually metallic giants they take their band name from Automaton lumber, lurch and crush anything and everything in their path with a unflinching inhumanity. This is sludge driven doom metal it's nastiest, heavily distorted guitars, punishing bass and drums with the occasional anguished vocal outbursts to break the monotony of the aural assault that's pumping through your speakers. With 7 tracks on this album each one is and elongated drawn out number that occasionally shows flair with a whiff of the cinematic but it's ear bleedingly loud doom metal for the most part with Electric Wizard a natural comparison. This is the kind of Automaton Sabbath were warning us about on Iron Man a disconcerting entity that lays waste to all without fear. 7/10

Sunday, 23 December 2018

A View From The Back Of The Room: Music Minds Matter Charity Night (Live Review By Paul H)

Music Minds Matter Charity Event, Fuel Cardiff

As 2018 draws to a close, it was fitting that I finished my gigging year in the same venue that I started in back in January when Bloodshot Dawn kicked off 2018 in ferocious style. Having travelled back from a welcome mini-break in Portugal earlier in the day, the damp cold evening was a crushing reminder of the difference in weather several hundred miles makes. Nothing damp about the action inside Fuel though as a reasonable crowd attended to raise some funds for the charity Music Minds Matter. www.musicmindsmatter.org.uk

Opening the evening were Bloodstock heroes Cranial Separation (7) who have been regulars throughout the year in these pages. There’s not much I can write about these guys that I haven’t written before, but Ray, Chris and Sam were tight and as usual bone splinteringly heavy. Whilst there is always an element of chaos about Cranial, they can write a death metal tune and battered the venue with 30 minutes of their bludgeoning approach. Bound In Barbed Wire, Separated From The Cadaver and of course, the band’s love song Fucked With A Jackhammer are all now familiar favourites and it would be great to hear some new material from the band in 2019.

I hadn’t seen Cardiff’s Blind Divide (9) for a few months and many felt that they were unlucky not to be travelling to Bloodstock in the summer following their efforts in the Metal To The Masses final. The band has regrouped since those heady days of early summer and were in fiery form from the off. With new material written, the band were razor sharp and snarling like an angry pit bull. Tracks from their EP were greeted like old friends, guitarists James Ponsford and Adam Duffield riffing with focused intensity, whilst Dellan McCabe and Anthony Ellis ensured the groove that underpins this band was maintained. Vocalist James Birkett remains the focus of the band, hyperactive and restless as he roared through a magnificent 30 minutes with a new track sounded impressive. As the band hit Pathfinder I reflected that 2019 could be even better for Blind Divide.

Few bands have had as good a year as Democratus (8) who are almost a house band at Fuel. Their set at Bloodstock rightly earned several new fans and the band have been gigging as often as their commitments allow through the rest of the year. With some new material ready to be released on their forthcoming EP, this was a run through some of their well-known tracks with the bonus of new track Divided They Fall added into the mix. Steve Jenkins lasted two songs in his Christmas jumper which was one more than I thought he would, but as always, his performance remains high in energy and motivation. With Joey Watkins recovering well from some nightmare amp technical challenges, the band roared through their set, Kerrin Beckwith once more demonstrating some fine guitar work. With Stu ‘Spoon’ Rake adding some death growls to beef out several of the tracks, and drummer Zac Skane rock steady as always, Democratus are starting to expand their onstage approach. Divided We Fall didn’t really grab me, but I think it will with a few more listens. As always, the closing Life For A Life got the dedicated crowd roaring along. With 2018 being such a momentous year, it will be interesting to see how these lovely guys push the boundaries in 2019.

Having travelled from the West Midlands on a pretty miserable day, it was disappointing to see fewer people in the room for Ashen Crown (9) who were superb. The Birmingham five-piece hit Bloodstock hard in 2017 and demonstrated their credentials with a sweeping set that combined the groove of Pantera and LOG with the crushing power of Bolt Thrower. Twin guitarists Jay Rogers and Ste Fowkes throw down the riffs, frontman Kieran Scott is a bundle of restless energy whilst the rhythm section thunderously anchored everything with ease. Drummer Mike Ellis has only been with the band this year but looked very comfortable as he battered any remaining life out of the kit and Phil Milman laid down the bass lines with ease. 

With their demo Fall Of Thine Eyes providing the backbone of their set, it was time to stand back, nod the head and just enjoy the sheer power and drive of the band. Confident and slick throughout their 40-minute set, Ashen Crown are a band that I will certainly be keeping an eye and ear out for in 2019. A solid choice for the headline set, and a great evening catching up with bands who have also become good friends. Whilst the crowd could have been bigger, kudos to all those who made this event a success. 2018 is now complete. 63 gigs in a year which saw the Welsh metal scene roar with fire. 2019 is on its way, so see you somewhere at the back of the room then.

Saturday, 22 December 2018

Reviews: Gotthard, Eric Church, Fleshless, Conception, State Of Salazar, Needful Things (Reviews By Rich & Matt)

Gotthard: Defrosted 2 (Nuclear Blast) [Rich]

Gotthard are one of those bands who have been going for 26 years yet don’t have a huge following outside of their native Switzerland where they have had 11 number one albums. The band have put out 12 albums of stadium worthy hard rock and have overcome tragedy that would absolutely derail a band ten times their size but they have persevered and here we have Defrosted 2 an acoustic live album and sequel of sorts to the original D Frosted live album released in 1997. Acoustic albums give the band a chance to rework songs from their discography and Gotthard have risen to the challenge here with a tracklist which absolutely spans their 26 year career. The band are absolutely riveting form with frontman Nic Maeder sounding absolutely phenomenal.

 Highlights included the honky tonk stomp of Sweet Little Rock ‘N’ Roller, the anthemic Stay With Me and the classic Lift U Up. The band also pay homage to Deep Purple with fantastic renditions of Hush and the legendary Smoke On The Water. We also get a couple of new studio recorded songs as the end with Status Quo’s Francis Rossi making a guest appearance on the Quo inspired Bye Bye Caroline. I’m not the biggest Gotthard fan but it’s hard to deny that Gotthard have raised the bar for live acoustic albums with Defrosted 2. It’s a fantastic career retrospective though if you are new to Gotthard you are probably better off starting with one of their studio albums to get a true sense of what the band is about. A great live album but one really only for the fans. 7/10

Eric Church: Desperate Man (Snakefarm Records) [Matt]

Desperate Man is the new album from 2 x CMA ‘Album of the Year’ winner and 7-time Grammy nominee Eric Church. Released on Spinefarm Records country imprint it's his sixth record and it shoots from the hip about the desperate times we live in. Check out The Snake the album's slithering moody opener where Church whispers about a "Copperhead" Rattlesnake which could be a thinly veiled reference to POTUS and makes this album smolder, it's Hanging Around that gets the fire burning though with the hip shaking boogie as Church sneers over some juddering Fender Rhodes. It's a blend of country and rock but there are only a few stadium barn burners on this record, it's a bit more understated but still has that emotion that Church has been known for, see the reminiscing on Hippie Radio. However I will say that this album does tend to lump all the slower tracks together meaning that the middle of it sags and in places the Church lyrical magic does seem to be lacking relying more on tired and tested themes and rhymes than the Springsteen-esque creativity he's always been said to have, also Desperate Man has nicked the rhythm from Sympathy For The Devil. I'll admit I'm not a huge Church follower but I know enough about him to say that this album is a reasonable reflection of Church's talent. 7/10

Fleshless: Doomed (Rotten Roll Rex) [Rich]

It’s been a while since I heard anything from Fleshless. The last album I heard by them was some fairly unrefined deathgrind so it was a complete surprise listening to the ninth album by the Czech death metallers to hear a very refined and bruising death metal release. Doomed sees the band sounding tighter than ever before with a very subtle melodic sensibility interwoven throughout the album. Don’t get me wrong this album is heavier than a jackhammer to the face with crushing numbers such as Human Debris, Ninety-Seven Pieces and Castrate guaranteed to have you crying for your mother. The difference I hear between this and the previous Fleshless albums I have heard is the increased maturity in the writing and the compositions with some gargantuan guitar riffs matched with the machine gun drumming making for a highly devastating yet utterly enjoyable listening experience. 8/10

Conception: My Dark Symphony (Conception Sound Factory) [Matt]

Norwegian power/prog metal band Conception return with their first new songs since 1997's Flow, after the release of that album the band split up as singer Roy Khan went to become the voice of Kamelot, Khan left Kamelot in 2010 citing illness and burnout he retired from music enjoying a quiet life. However in April of 2018 Conception returned with founding guitarist Tore Østby bringing back bassist Ingar Amlien to the band along with getting drummer Arve Heimda and Roy Khan out of retirement. So what's the EP like? Well it's pretty much what you'd want as a Conception and even a Kamelot fan, swathes of keys, passionate vocals and progressively tinged compositions decisively led by the guitars of Østby. Quite Alright is probably this EP's stand out track but theres a nice mix of heavy, melodic and the tender moments that Khan does so well vocally. It's great to hear the man back behind the mic again and with Kamelot now in much more OTT realms those harking back to the early days of the band should be picking up My Dark Symphony. 7/10

State Of Salazar: Superhero (Frontiers Records) [Rich]

Superhero is the second album by Swedish melodic rockers State Of Salazar. Following the release of debut album All The Way keyboard player Stefan Mårtenson departed the band to be replaced by Kevin Hosford who also took on the lead vocals and the majority of the songwriting for this album. Superhero has a sound that is very reminiscent of late 70’s/early 80’s AOR with the band clearly taking influence from bands such as Toto, Journey and Survivor especially evident in songs such as My Heart Is At War, Masquerade and the title track. The performances throughout are rock solid and the production is suitably slick. 

This is a decent piece of AOR though it is very much lacking in originality with the band wearing the influences a bit too clearly on their sleeves. I enjoy a good bit of AOR as a counterpart to all the violent and chaotic music I generally listen to but I found this album just a bit too saccharine for my tastes and there are just that bit too many ballads throughout as well. That being said there are some quality tunes throughout and if you are a massive Toto fan you will definitely love this. 6/10

Needful Things: Deception (Psycho Control Records) [Rich]

Needful Things are a grindcore band from the Czech Republic and Deception is the third album from the grind quartet. This is very much rooted in the classic grind song so this release is short but completely savage and uncompromising with 15 songs in just over 23 minutes. All the classic components of grind are in place - throat shredding vocals, ripping guitars, chunky bass and a barrage of blasts from the drums all ably assisted by a mix that’s completely in your face. Most of the songs shred out of your speakers, smack you about a bit and then they are over. 

It’s not all a million miles an hour though as there are occasions where things slow down to a very satisfying groove reminiscent of Finnish grind heroes Rotten Sound. These slower groovier moments are few and far between and are just a brief respite from the blast beat ridden onslaught. There’s not much more than can be said of this release. If you don’t like grindcore then avoid at all costs but if you love your grind this is a damn good release. 8/10

Reviews: The Ocean, Amaranthe, In Shadows And Dust, Le Menhir (Reviews By Sean & Matt)

The Ocean: Phanerozoic I: Palaeozoic (Metal Blade Records) [Sean]

I like a bit of prog metal. Wouldn't describe it as my go to genre, if you get what I mean, but there are odd moments when I'd rather be swept up in a compositional journey, as opposed to usually being pulverised into a fine paste. I also don't mind a deep conceptual narrative to my music either, something beyond the clash of satanic carnage or the screams of the murdered. Deep shit, y’know? Something one can truly sink ones gnashes into, matching the music in density and complexity. Enter German prog collective The Ocean, with their scientific brand of audible immersion returning one more on their latest offering, Phanerozoic I: Palaeozoic. The concept? Well, to quote the band; “The Phanerozoic eon succeeded the Precambrian supereon, spanning a 500 million-year period leading to the present day, and it has witnessed the evolution and diversification of plant and animal life on Earth, and the partial destruction of it during 5 mass extinction events.”

Better press play then, hadn’t I? The Cambrian Explosion begins our journey, slow synths leading us into the lowest reaches of Earth. The ominous textures increases in tangibility, as we descend deeper into the planets core before exploding into life, with first real track Cambrian II: Eternal Recurrence. Huge guitar chords and thunderous drums drive us onwards, conjuring images of the planets chaotic core in constant motion. It briefly speeds up in the middle, as both clean and harsh vocals synergise in tasteful union. Ordovocium: The Glaciation Of Gondwana increases the aggression, as we enter a new geological period and ecosystem, exploding into life. Solid enough so far. Silurain: Age Of The Scorpions is a nuanced beast, guitars and synths rising and falling into a sprawling 9 minute epic, though the tempo more or less remains the same as before. Devonian: Nascent his simply gorgeous, thick in it’s atmosphere lead by the vocal talents of Katatonia's own Jonas Renske.

The Carboniferous Rainforest Collapse is a pleasant enough instrumental, clashing chords falling on each other before giving way to closer Permian: The Great Dying. As a finisher, it’s the musical equivalent of the tectonic plates shifting on each other, the ground rupturing open to swallow all life on it’s surface. Simply crushing, both physically and emotionally. All in all? A very pleasant listen to be sure, chock full with the weighty atmosphere that the German collective are renowned for. It’s an engrossing listening experience. Every note and voice seamlessly interplay, done so with much articulation and compositional guile but only really, REALLY comes together in it’s second half. 8/10

Amaranthe: Helix (Spinefarm Records) [Matt]

The fifth album from Swedish electro-metal band Amaranthe may have a new singer in Nils Molin but the music doesn't differ much at all except for refining the melodic sensibilities. Working in unison the three vocalists play off each other with Elize Ryd taking the lead on 365 which is overly poppy, the electronics ramped up but offset by Henrik Englund Wilhelmsson's screams and the heavy riffs. I'll say that out of all the clean male vocals the band have had Nils has the best voice making the record sound more rounded with this current trio behind the mic.

Elize states that "Helix describes the concept of how the past forms us and how life makes us become." while guitarist Olof Mörck states that the album "is a statement, a declaration and an assertion that we are here to stay" so with these defiant words aimed at the bands detractors they have honed their songwriting and musicianship as much as possible delicately balancing the electronics (which in the past have been a little overpowering), the metal (which seems much chunkier here) and the vocal lines which mesh better than before. Helix is Amaranthe at their apex crushingly heavy but with a shimmering pop shine along with even some rap on Dream and GG6. It's the most fully formed three dimensional release from this band well worth picking up! 8/10

In Shadows and Dust: Enlightened By Darkness (Redefining Darkness) [Sean]

I know I’ve harped on about it before but fuck it, Imma harp on about it again. I FRIGGIN love my Swedeath. No ifs, buts or coconuts, I’ll worship at this altar till I ascend to the great gig in the sky. I also like black metal, even more so when it’s violently combined in pursuit of ultimate satanic depravity. Just look at Necrophobic’s Darkside or The Third Antichrist, flawless filth crusted gems to satisfy even the most the basest of desires. French one man band, In Shadows And Dust, also know the horrid power of this combination, wielding both gore and grim with wild abandon. So, does 4th album Enlighetend By Darkness conjure the furious firepower of both sounds? In the immortal grunts of Glen Benton, let the killing begin!

Thunder rolls across the sky, malefic atmosphere and melodic strumming taking the lead on intro Maëlys. Wasting little time, title track Enlightened By Darkness thunders into my poor eardrums with the force of a megaton bomb. Promising start indeed, blackened tremolo picking flowing perfectly with Stockholm groove. Revenge is solid enough though noticeably generic, blasting along under the snarls of mainman Stephane Thirion. Occasionally a melodic lead rings out, the only real sense of melody amongst a wall of buzzsaw guitars. This works to great effect on Deathlike Silence, where the In Shadows And Dust REALLY grab me (3 guesses where). Dawn Of A New Day amps ups the ante even more, adding more nuanced layers to the onslaught. Black Sword features some utterly ridiculous double kicks but feels ultimately flat until end section somewhat redeems it. At The End Of The World and Beloved Darkness are fucking monsters, with the latter instilling some involuntary urges to literally RIP AND TEAR EVERYTHING IN THE FUCKING ROOM! Death and black are one, all is dust and I pick up what is left of the pieces that remain. Whew…..

I’ll start by saying this;I like this record. It’s performed with passion, the production is sublime and it’s mighty impressive that all this came from one man. However, and it pains me to say it, I did feel a slight air frustration in my listening experience. A slight feeling of inconsistency in the riffs department, with certain sections ranging from blazing to…well….blandness and often in the same song. Thankfully, this feeling doesn’t always prevail, with that dumb grin working it’s away across my mug when Enlightened By Darkness gets it right. 7/10

Le Menhir: Aube EP (Self Relased) [Sean]

Post Metal isn’t the most immediately rewarding genre to dive into. Either it isn’t “metal” enough for the impatient “troo” or misunderstood by the passing casual. For the rest of us, we enjoy it for what it is. Melancholy with a touch of muscle, forlorn with a pinch of fury and willingness to go beyond genre convention altogether. UK one man project, Le Menhir, weaves a wall of doom laden disparity, intense as it is introspective with a few blackened touches for good measure. Intro Rituel is a stirring opener, hornpipes calling out majestically before Monstre really beings the proceeding. Swirling Mgla-esque riffs under slow and steady beat guide us through a desolate landscape, with Paul Sparshott voice soaring above a ruined landscape stripped of all its beauty.

Well, in this authors mind anyway. Final track Centenire stirs everything back, as a narrative is spun of a fallen kingdom from beyond out time. Instrumental layers gradually build upon each other, surrendering to those aforementioned swirling riffs and the tale of the fallen kingdom is concluded in fitting fashion. Despite both songs being over 7 minutes in length, not once did my mind wander, such was the gripping atmosphere that cascaded from my speakers. The performance matches it equally, though the vocals do miss their intended note on occasion. This small detraction does little to dampen an otherwise engaging EP, so the only thing left to say is this; give me more! 7/10