German power metal band Brainstorm have an impressive discography with more than 10 full-length albums spanning their nearly 30 year long career, and their newest release, Plague Of Rats, shows that they are still at the top of their game!
The album starts with an intro track which begins with a creaky door opening before some ambient synth comes in. Then we get some Eastern sounding acoustic guitars and a synth heavy build-up to the following track. Beyond Enemy Lines begins with the full band kicking things off and the lead guitars taking over from the synth riff at the end of the previous track. It’s an epic track, quite thrashy and very fun. There’s a nice instrumental section just before a crazy guitar solo with plenty of sweep picking.
The intro riff comes back in before going into the final chorus.
This is followed up with Garyda (Eater Of Snakes). This one is a bit more chuggy but it has some really interesting parts. A nice little instrumental bit before the second verse comes in with some acoustic guitar playing in the background. It also brings back that almost Eastern music sound with the strings and synths in the background. Next is False Memories and this is a solid track. Quite fast and heavy and I think the vocals are great in this one. There’s a really good solo section with some nice duel guitars.
The Shepherd Girl (Gitagovinda) brings back that Eastern sound again for the intro before the band comes in with some big powerful chords and a mini guitar solo before the first verse. There’s another great solo with more duel guitars and then there’s a key change for the second half of the final chorus.
That’s followed up with Your Soul That Lingers In Me. It also features some guest vocals from Elina Siirala which come in for the second verse. There’s a bit of a duet for the second pre-chorus, chorus and final chorus. Up next is Masquerade Conspiracy. This one starts off very heavy, almost a bit metalcore sounding with the intro and main riffs. The guitar solo starts with a great divebomb before getting into some more shredding. After the final chorus, the song fades out for the outro.
We get another pretty heavy track next with From Hell. Very mean intro before things get interesting with the first verse. The guitar continues to chug along while the bass and drums slow down a bit until the pre-chorus. This one also has some back and forth action between clean and harsh vocals. With the harsh vocals being provided by another guest vocalist, Alex Krull. The duel guitars part is another standout moment for the whole album. We get some more duel guitars straight out the gate with the intro for the next track, The Dark Of Night. This one is a bit slower than the last few tracks, but it’s a lot more melodic.
We get another pretty heavy track next with From Hell. Very mean intro before things get interesting with the first verse. The guitar continues to chug along while the bass and drums slow down a bit until the pre-chorus. This one also has some back and forth action between clean and harsh vocals. With the harsh vocals being provided by another guest vocalist, Alex Krull. The duel guitars part is another standout moment for the whole album. We get some more duel guitars straight out the gate with the intro for the next track, The Dark Of Night. This one is a bit slower than the last few tracks, but it’s a lot more melodic.
Crawling begins with a chuggy intro and some more duel guitars. There’s some great work from the backing vocals, especially in the second verse. The instrumental section before the solo is a bit softer, with some clean guitar and really good drumming. The solo is really good and I like the use of stings in the background for the choruses. Curtains Fall is our last track for this album, it starts off strong with another nice heavy intro. After the second chorus there’s a good chuggy instrumental section. There’s one last little duel guitars part before a short guitar solo leading into the final chorus.
This album is pretty solid. My only little nit-pick is with the song structures. Most of the tracks play it safe and reuse the same basic song structure. But the songs themselves are really good so this is only a little bit of a criticism. Everything sounds good, the vocals, guitars, bass, drums and even the other instruments used in the background. They’ve done a great job! 10/10
Enemy Inside – Venom (Reigning Phonenix Music) [Simon Black]
How have I not found this band before? And would I have liked them if I had?
Germany’s Enemy Inside started life as a side project spawned by Evan K. who is best known for his guitar work on Power Metal stalwarts Mystic Prophecy. As is often the case with side projects like this, you can get away with being more experimental than you would dare on your main act and pull in players happy to tinker with the limits of the Metal genresphere, as Power Metal is about the only sub-genre this record does not touch upon. With each record they have subtly altered their direction, and here with album number three fuses’ bits of Electro-Metal, 90’s Alternative attitude, Gothic darkness, Synthwave polish and an almost Symphonic expansiveness in their sound.
There are loads of other experiments too, and the beauty of this record is the sheer variety of sounds and styles that it gallops through in its mere thirty-six minutes of run-time. It's a heavily studio-orientated sound that’s going to be a challenge to reproduce live without a click track doing most of the work, but I don’t get the sense that that’s what they are about. What it does do is absolutely hold the attention from the opening bars, and then proceeds to punch you round the head eleven times with a brutally heavy, yet touchingly emotive barrage of punchy, precise and highly effective songs.
When she’s going for it, Nastassja Giulia creates the same effect as Emily Armstrong is aiming for with Linkin Park’s recent rebirth, but whereas Emily Armstrong is destroying her vocal cords trying to sound like Chester Bennington, Giulia achieves this more effectively adding an edge and angst that really touches the heart without sounding like she won’t be able to speak properly for a few days afterwards. But her vocals change tone and style as effortlessly as the rest of the band flit between genres, and that’s the real strength here, that regardless of the songwriting approach and target, she seems to effortlessly deliver the goods.
For an album that’s effectively an exercise book of random-seeming musical experiments, the tight and precise studio sound weaves it into a consistent whole, and I am left battered, bruised and desperately wishing there was more in the bag. Leaving people wanting more seems like a resounding goal in the back of the net, because after three or four spins I am still loving this. Wow, simply wow. 10/10
Christian Mistress - Children Of The Earth (Cruz Del Sur Music) [Rich Piva]
When I first started lurking around Bandcamp and Twitter back in early 2020 a band that came up in conversations in the metal circles I was trying to virtually insert myself into was Christian Mistress. The band had a small, but rabid following even though they had not put out any music for five years back then. I dove right in, grabbing all I could from their discography of three full lengths and a couple of singles.
This album is pretty solid. My only little nit-pick is with the song structures. Most of the tracks play it safe and reuse the same basic song structure. But the songs themselves are really good so this is only a little bit of a criticism. Everything sounds good, the vocals, guitars, bass, drums and even the other instruments used in the background. They’ve done a great job! 10/10
Enemy Inside – Venom (Reigning Phonenix Music) [Simon Black]
How have I not found this band before? And would I have liked them if I had?
Germany’s Enemy Inside started life as a side project spawned by Evan K. who is best known for his guitar work on Power Metal stalwarts Mystic Prophecy. As is often the case with side projects like this, you can get away with being more experimental than you would dare on your main act and pull in players happy to tinker with the limits of the Metal genresphere, as Power Metal is about the only sub-genre this record does not touch upon. With each record they have subtly altered their direction, and here with album number three fuses’ bits of Electro-Metal, 90’s Alternative attitude, Gothic darkness, Synthwave polish and an almost Symphonic expansiveness in their sound.
There are loads of other experiments too, and the beauty of this record is the sheer variety of sounds and styles that it gallops through in its mere thirty-six minutes of run-time. It's a heavily studio-orientated sound that’s going to be a challenge to reproduce live without a click track doing most of the work, but I don’t get the sense that that’s what they are about. What it does do is absolutely hold the attention from the opening bars, and then proceeds to punch you round the head eleven times with a brutally heavy, yet touchingly emotive barrage of punchy, precise and highly effective songs.
When she’s going for it, Nastassja Giulia creates the same effect as Emily Armstrong is aiming for with Linkin Park’s recent rebirth, but whereas Emily Armstrong is destroying her vocal cords trying to sound like Chester Bennington, Giulia achieves this more effectively adding an edge and angst that really touches the heart without sounding like she won’t be able to speak properly for a few days afterwards. But her vocals change tone and style as effortlessly as the rest of the band flit between genres, and that’s the real strength here, that regardless of the songwriting approach and target, she seems to effortlessly deliver the goods.
For an album that’s effectively an exercise book of random-seeming musical experiments, the tight and precise studio sound weaves it into a consistent whole, and I am left battered, bruised and desperately wishing there was more in the bag. Leaving people wanting more seems like a resounding goal in the back of the net, because after three or four spins I am still loving this. Wow, simply wow. 10/10
Christian Mistress - Children Of The Earth (Cruz Del Sur Music) [Rich Piva]
When I first started lurking around Bandcamp and Twitter back in early 2020 a band that came up in conversations in the metal circles I was trying to virtually insert myself into was Christian Mistress. The band had a small, but rabid following even though they had not put out any music for five years back then. I dove right in, grabbing all I could from their discography of three full lengths and a couple of singles.
At the time (and I still am) I was looking for new bands playing the more traditional metal style, and boy does Christian Mistress check those boxes. Even back then there were rumblings of possible new material from the Olympia, Washington (Portland, too) band. Fast forward to 2025, where, finally, we get new Christian Mistress material in the form of the eight tracks on their new record, Children Of The Earth. Christian Mistress fans rejoice, because the new songs are exactly what you want and have been waiting for from this band.
If you are not familiar with CM, they bow at the altar of Judas Priest, early Scorpions, and bands from the NWOBHM times, (think Witchfinder General with awesome female vocals) and could pair nicely with contemporary bands like Castle, Haunt, High Spirits, Lucifer, and Wytch. The 33 minutes of music on Children Of The Earth doesn’t stray too far away from those bands and the band’s older material, and that is just fine with me. The opener, City Of Gold, is pure Priest worship musically with the vocals of Christine Davis sounding as great as ever. Voiceless has the same vibes, but this is the track I hear High Spirits in, and you know I dig that.
If you are not familiar with CM, they bow at the altar of Judas Priest, early Scorpions, and bands from the NWOBHM times, (think Witchfinder General with awesome female vocals) and could pair nicely with contemporary bands like Castle, Haunt, High Spirits, Lucifer, and Wytch. The 33 minutes of music on Children Of The Earth doesn’t stray too far away from those bands and the band’s older material, and that is just fine with me. The opener, City Of Gold, is pure Priest worship musically with the vocals of Christine Davis sounding as great as ever. Voiceless has the same vibes, but this is the track I hear High Spirits in, and you know I dig that.
Demon's Night highlights what this band does well; deliver high quality traditional metal as good as any band in 2025. Love Of The World is an early 80s metal anthem that just rules, in part because of the killer guitar work from Tim Diedrich. Same with Death Blade. The occult rock side of the band shines through perfectly on Mythmaker while also highlighting Davis’ vocals. At some point you have to have some Maiden love when you play this style, and Lake Of Memory does just that, sprinkled with some early Scorpions to go along with it. The closer, Shadow, kicks so much ass, and reminds me of something from The Neptune Power Federation, which is one of the highest compliments I can give.
Children Of The Earth is short and goes by quick, but stop complaining, this is the first new Christian Mistress material in ten years. If you like traditional metal with killer female vocals and fun songwriting you will really dig this record. 8/10
TELMA - Awakening (Self Released) [Matt Bladen]
Greek groovers TELMA are back with a second record and they’ve gone deeper down into the alt/grunge/groove sound of the late 90’s early 2000’s. They’re only a four year old band but they already have two full length albums and a defined sound. Influenced by bands such as Pantera, Alice In Chains, Godsmack and Disturbed too.
TELMA thankfully don’t share the controversial opinions of a couple of these acts, writing songs that have as much emotional weight as they do musical. After their debut, Eternal, came out they toured pretty extensively throughout their home country and The Balkans, honing their craft on stage in preparation of this sophomore album.
You can hear that refinement on Awakening, TELMA writing songs that still have a thick and fuzzy bottom end (Got No Rhythm) courtesy of bassist Filip Kotoulas and drummer Mike Tziastoudis, but with guitarists Mark Kotoulas and Kostas Koutsomarkos and singer Anthony Kyritsis, they’ve added some more melodic diversity in the song writing. Crystal Clear and Belly Of The Beast bring the modern groove modernity.
The production of George Margaritopoulos and mix Fotis Benardo at Devasoundz Studios keeps the meat on the bones, with the heavy staying heavy, overall mastering was done by Tony Lindgren at Fascination Street Studios and you can hear his background in melodeath on tracks such as the choppy Stray Dogs or the complex modern metal of Seventeen.
Awakening begins the next chapter of TELMA, a Greek band with bags of potential, this second album increases the heaviness but also the melodies too. 8/10
Children Of The Earth is short and goes by quick, but stop complaining, this is the first new Christian Mistress material in ten years. If you like traditional metal with killer female vocals and fun songwriting you will really dig this record. 8/10
TELMA - Awakening (Self Released) [Matt Bladen]
Greek groovers TELMA are back with a second record and they’ve gone deeper down into the alt/grunge/groove sound of the late 90’s early 2000’s. They’re only a four year old band but they already have two full length albums and a defined sound. Influenced by bands such as Pantera, Alice In Chains, Godsmack and Disturbed too.
TELMA thankfully don’t share the controversial opinions of a couple of these acts, writing songs that have as much emotional weight as they do musical. After their debut, Eternal, came out they toured pretty extensively throughout their home country and The Balkans, honing their craft on stage in preparation of this sophomore album.
You can hear that refinement on Awakening, TELMA writing songs that still have a thick and fuzzy bottom end (Got No Rhythm) courtesy of bassist Filip Kotoulas and drummer Mike Tziastoudis, but with guitarists Mark Kotoulas and Kostas Koutsomarkos and singer Anthony Kyritsis, they’ve added some more melodic diversity in the song writing. Crystal Clear and Belly Of The Beast bring the modern groove modernity.
The production of George Margaritopoulos and mix Fotis Benardo at Devasoundz Studios keeps the meat on the bones, with the heavy staying heavy, overall mastering was done by Tony Lindgren at Fascination Street Studios and you can hear his background in melodeath on tracks such as the choppy Stray Dogs or the complex modern metal of Seventeen.
Awakening begins the next chapter of TELMA, a Greek band with bags of potential, this second album increases the heaviness but also the melodies too. 8/10
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