Anathema - Gloucester
Cathedral 15 June 2014
The opportunity to see one of my favourite bands in a unique
setting was far too good to turn down and so, two days after seeing Anathema at
Download CMH and I arrived in Gloucester with eager anticipation.
Anathema’s set at Download had been a little subdued; blighted
by sound problems and glitches in the new technology that has allowed them to
continue their progression on their most recent release, the stunning Distant
Satellites. However, in the gothic surroundings
of Gloucester Cathedral, over 1000 years old, and a sell-out audience there
were no such mistakes again.
To call this Anathema acoustic is possibly a little
misleading. Three members of the current
line-up were not present (still partying at Download apparently!) and there was
a fair usage of the loops and samples that have become an integral part of the
band’s sound. We did get the three
members of the band with the highest profile, brothers Daniel and Vincent
Cavanagh and vocalist Lee Douglas.
The set opened with The Lost Song Part 2 from the latest
album before the only tracks from 2012’s Weather Systems, Untouchable Parts 1
& 2. These were three beautiful songs to open the evening with acoustics
that allowed the songs to be transferred to the acoustic setting with
ease. I felt a lump in my throat as the
Untouchable double was played, such is the emotion that courses through these
tracks. The evening continued with a
range of tracks from their back catalogue. Thin Air from We're Here Because
We’re Here was breath taking, whilst the combination of Inner Silence from
Alternative 4 and the delicate One Last Goodbye from Judgement were superb.
A couple of the new tracks from Distant Satellites were also
played. These included my favourite Ariel and the title track. The Cavanagh
brothers were on excellent form, bantering with the audience, especially Daniel
who described how he had seen and managed to be introduced to Status Quo at
Download the day before. The band was clearly inspired by the surroundings, the
gothic arches and stained glass windows catching the last rays of sun from the
day. Simple and sensitive lighting enhanced the atmosphere throughout. A sing along to Flying demonstrated how tone
deaf some of the audience was before we were treated to a short individual set
from Daniel including a couple of covers, High Hopes by Pink Floyd and Glory
Box by Portishead. Both were fine with the Portishead cover allowing Lee
Douglas’s incredible voice to shine, but we did question the necessity when the
band has such stunning tracks in their arsenal. Surely Deep or Pressure? Next
time guys.
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