They have become regular visitors to the city of Bristol in recent years, with tonight’s show their third appearance in three years. The Cybernetic Domination tour is an eclectic package with four differing genres. It’s also a punishing schedule; one glance at the dates on this run confirms that being on the road is gruelling, with the bands have traversed other parts of England, Ireland and Scotland ahead of this show. No breaks, no rest days, just relentless shows. Kudos to all four for bringing such energy.
There are few hands in the air when lead singer Brendan Shane asks who has seen The Nocturnal Affair (7) before. It’s a surprise to me that there are any, but the band have been reasonably active in the UK since 2024 with performances across the country. This appears from what I can see to be their first show in Bristol, and they certainly bring the energy early doors despite a slowly growing audience.
They are a curious bunch. Dressed in casual suits or jackets with what appeared to be lounge loafers, they drench the audience with backlight and abuse them aurally with a set that weighs heavily on emotional content. I’ve seen influences including Type O Negative, HIM and NIN cited, and I don’t think I can add much to that.
There are few hands in the air when lead singer Brendan Shane asks who has seen The Nocturnal Affair (7) before. It’s a surprise to me that there are any, but the band have been reasonably active in the UK since 2024 with performances across the country. This appears from what I can see to be their first show in Bristol, and they certainly bring the energy early doors despite a slowly growing audience.
They are a curious bunch. Dressed in casual suits or jackets with what appeared to be lounge loafers, they drench the audience with backlight and abuse them aurally with a set that weighs heavily on emotional content. I’ve seen influences including Type O Negative, HIM and NIN cited, and I don’t think I can add much to that.
They have a short set, but Shane in particular, is keen to get a reaction. Energy wise, the band match their touring buddies; musically I struggle a little. They open with Cross Me Out which is high tempo, and finish with a bouncing cover of Haddaway’s What is Love. Make of that what you will! It works though, for metal fans love a pop singalong and tonight is no exception.
No question what Polish blackened death masters Hate (8) have had for tea as they absolutely crush the venue with a display of impressive power. Most recently seen in Bristol at the Fleece in April 2025, they relish the larger stage. It’s set up in true demonic manner, skulls, cauldrons and a huge backdrop, all bathed in blood red that doesn’t change throughout their blistering 40-minutes.
Intimidating in many ways, this is a wall of abuse that slams into you and knocks you over. The pit slowly wakes as Hate rage into opener Bellum Regiis. From here on it’s time to hold onto something solid as everything not nailed down begins to move. Only Adam "ATF Sinner" Buszko remains these days from the original line-up that tore across the lands all those years ago. That doesn’t seem to matter as there is limited interplay with the audience. Instead, it’s explosive song after explosive song that is as punishing as it is intense and as they leave the stage after six songs, the reception is impressive.
No question what Polish blackened death masters Hate (8) have had for tea as they absolutely crush the venue with a display of impressive power. Most recently seen in Bristol at the Fleece in April 2025, they relish the larger stage. It’s set up in true demonic manner, skulls, cauldrons and a huge backdrop, all bathed in blood red that doesn’t change throughout their blistering 40-minutes.
Intimidating in many ways, this is a wall of abuse that slams into you and knocks you over. The pit slowly wakes as Hate rage into opener Bellum Regiis. From here on it’s time to hold onto something solid as everything not nailed down begins to move. Only Adam "ATF Sinner" Buszko remains these days from the original line-up that tore across the lands all those years ago. That doesn’t seem to matter as there is limited interplay with the audience. Instead, it’s explosive song after explosive song that is as punishing as it is intense and as they leave the stage after six songs, the reception is impressive.
It appears that Tokyo’s Crystal Lake (8) carry no original members. Formed in 2002, I’m blown away with their sheer aggression, if not their music. Thumping breakdowns, massive riffs, and the ferocity of the diminutive frontman PK, it’s a huge switch of style for the second time. And the crowd responds with some intense pit action and a couple of crowd surfers. PK is particualry impressive given the short length of time that he’s been with the band.
There’s something in the band’s firepower that makes them quite mesmerising, and although metalcore isn’t my bag, they have groove and enough visceral energy to keep the attention. Six Feet Under is massive, whilst penultimate song The Weight Of Sound sees them switch to a sound more akin with Linkin Park before a savage finale of Apollo crushes one final time. For me, the surprise package of the evening.
The setting is appropriate for the industrial sounds of Fear Factory (8). Bare girders and steel beams create the coldness that is needed for Dino Cazares’ world-famous riffs. But there is nothing but heat as Cazares, bassist Tony Campos, drummer Pete Webber and vocalist Milo Silvestro generate over the next hour.
This is a band with a box full of classic tracks and they oblige with a set that stands the test of time. Acres Of Skin builds the intensity after a hero’s welcome, and by the time they’ve hit Edgecrusher, complete with PK’s return to add his voice to Silvestro’s, the hardcore fans are in heaven.
Silvestro is improving on every viewing, and even though he is still using some tools for vocal enhancements, he’s generally on point. When Buszko joins him for Martyr, the contrast is startling. He’s handling everything well, and I don’t think his presence is even an issue for those enjoying the likes of Zero Signal and Demanufacture. New song Roboticist is promising, and Dino looks like a man still happy in work.
As they roll into the finale of Replica, Resurrection and a reintroduced Cars, it’s impossible not to think about how seminal this band remain. Sure, they are never going to be as dominant as they were three decades ago, but whilst they can still fill a venue of this size, I think it is reasonable to anticipate them visiting a few more times yet.
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